Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00

Identifieur interne : 000086 ( France/Analysis ); précédent : 000085; suivant : 000087

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Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00

Auteurs : Gisèle Sapiro [France]

Source :

• The American Historical Review [ 0002-8762 ] ; 2006-10.

RBID : ISTEX:E7DBF3B4004CCB221489C985D84711405A43760F

English descriptors

• Teeft :
  • Amateur culture, Andre gide, Anna boschetti, Arnold schoenberg, Arthur honegger, Artistic counterpart, Beloved mentors, Careful consideration, Catholic artists, Catholic modernism, Catholic revival, Chantilly conferences, Chapter deals, Charles koechlin, Classical style, Claude debussy, Communist paul vaillantcouturier, Composer charles tournemire, Comprehensive inquiry, Conservative schola cantorum, Contemporary composers, Crucial contribution, Cultural hegemony, Cultural policy, Cultural projects, Cultural publications, Darius milhaud, David stevenson london school, Defensive commander, Democratic values, Dominant style, Ecole normale, Ecoles primaires superieures, Emile rougon, Erik satie, Essential truths, Exorable laws, External constraints, Extreme right, Fascist conception, Fascist currents, Federation musicale popu, French classicism, French composers, French music, French politicians, French resilience, French strategy, Future investigation, General erich, Germaine works, German romanticism, Ghting fascism, Greater part, Herve serry, Heuristic value, Higher weight, Ideological constraints, Ideological function, Ideological hegemony, Ideological issues, Ideological stakes, Ideological struggles, Igor stravinsky, Inchoate matter, Individual reactions, Internal approach, Internal force, Ironic distance, Ivory tower, Last period, Legitimate music, Legitimate references, Ligue nationale, Louis durey, Major decisions, Major role, Many artists, Marginal members, Maurice ravel, Metaphysical reasons, Military establishment, Modern music, Modern nivelle, Modern phenomenon, Multifront effort, Musical canon, Musical education, Musical groups, Musical practices, Musical works, Musique francaise, Mystic modernism, Nancial support, National community, National culture, Nineteenth century, Nonconformist intellectuals, Novel techniques, Novelist georges bernanos, Olivier messiaen, Other nationalists, Oxford university press, Painter georges rouault, Paris stephen schloesser, Patriotic task, Personal tragedies, Philosopher jacques maritain, Philosophical optimism, Pierre bourdieu, Plainchant music, Poesie partout, Political constraints, Political imperatives, Political issues, Political science jane, Popular front, Popular front regime, Positivist ideology, Positivist science, Postwar development, Postwar paris, Postwar renouveau, Powerful instrument, Pragmatic debate, Prestigious conservatoire, Professional concerns, Prominent reference, Public commands, Public discourse, Public role, Realist aesthetics, Realist insistence, Realist modes, Recent historiographical trends, Recent research, Reference october, Relational approach, Remarkable study, Renouveau, Renouveau catholique, Republican france, Resistance tendencies, Revolutionary culture, Richard wagner, Romain rolland, Salonika expedition, Same period, Sapiro cnrs, Schloesser, Scholastic philosophy, Scribe german music, Stephen book, Supreme commander, Symbolic domination, Symbolic power, Third republic, Thomas aquinas, Toronto press, Traditional views, Tragic side, Train music teachers, Union sacree, Universal meaning, Unprecedented carnage, Vindicates ferdinand foch, Wartime nationalism, Young generation.

Url:

• https://api.istex.fr/document/E7DBF3B4004CCB221489C985D84711405A43760F/fulltext/pdf

DOI: 10.1086/ahr.111.4.1261

Affiliations:

• France
• Île-de-France
• Paris

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